Moisès Gil

Tireless seeker of alchemy

between feelings and expression forms.

Moisès Gil, Cocentaina, Spain, 1963.
Sculptor and Professor at the University of the Department of Sculpture of the Faculty of Fine Arts of San Carles de Valencia. U.P.V. with previous teaching experience in Art Schools such as Huesca or Orihuela.
His artistic career is extensive, he has curated exhibitions, art critiques and cultural advice in both public and private entities. for At the age of 19 he obtains his first artistic award, he has been distinguished with numerous prestigious sculptural awards.
Moisès Gil is, at the moment, one of the most prestigious sculptors and one of the most sought after national and international level, as evidenced by his curriculum and his busy schedule. Gil encourages a break with abstraction and conformism in favor of an active stance, while showing the social dependence of the human being in these difficult times. for Fernando Castro in the newspaper El País states: «The contestant sculptor with his spatial configurations makes the viewer reflect on the existence of the human being in post-technological society, based on conceptual sculpture, in which he uses various materials that, mixed, dialogue with each other in order to enhance the semantic content of the work ».

Moisés Gil finds the ideal vehicle through the symbiosis between expressive figuration and formal reductionism, with his own style, he immerses himself in the currents of contemporary sculpture, demonstrating full maturity, playing with volumes, textures and shapes, to transform them into poetry . His sculptural work is a study where he approaches the human being, discovering the magic of transforming his ethereal world into something physical that provides a fresh and powerful vision to the current sculptural panorama »according to Mª Teresa Mezquita Méndez del Yucatan newspaper. for «The contestant sculptor with his spatial configurations makes the viewer reflect on the existence of the human being in post-technological society, based on conceptual sculpture, in which he uses various materials that, mixed, dialogue with each other in order to enhance the semantic content of the work »in the words of Fernando Castro of the newspaper El País.

The sculpture is based on the artist's commitment and solidarity with what happens to himself and observes around him, he lives the crisis and appropriates it to express the experiential moment of the society that surrounds him, echoing with his own way of expressing oneself about the vicissitudes and setbacks that the current difficult moment that we are suffering entails and with these artistic proposals, make the viewer reflect and arrive at a positivist reflection.

Awards & Exhibitions